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Mockingbird Mixtape

by Chelsea Williams

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1.
If you had not have fallen Then I would not have found you Angel flying too close to the ground I patched up your broken wing and hung around for a while Trying to keep your spirits up and your fever down And I knew someday that you would fly away For love's the greatest healer to be found So leave me if you need to and I will still remember Angel flying too close to the ground So fly on, fly on past the speed of sound I'd rather see you up than see you down So leave me if you need to and I will still remember Angel flying too close to the ground Leave me if you need to and I will still remember Angel flying too close to the ground Angel flying too close to the ground
2.
Two headed boy All floating in glass The sun it has passed Now it's blacker than black I can hear as you tap on your jar I am listening to hear where you are I am listening to hear where you are Two headed boy Put on Sunday shoes And dance round the room to accordion keys With the needle that sings in your heart Catching signals that sound in the dark Catching signals that sound in the dark We will take off our clothes And they'll be placing fingers through the notches in your spine And when all is breaking Everything that you could keep inside Now your eyes ain't moving Now they just lay there in their climb Two headed boy With pulleys and weights Creating a radio played just for two In the parlor with a moon across her face Through the music he sweetly displays Silver speakers that sparkle all day Made for his lover who's floating and choking with her hands across her face And in the dark we will take off our clothes And they'll be placing fingers through the notches in your spine And when all is breaking Everything that you could keep inside Now your eyes ain't moving Now they just lay there in their climb Two headed boy There is no reason to grieve The world that you need is wrapped in gold silver sleeves Left beneath christmas trees in the snow I will take you and leave you alone Watching spirals of white softly flow Over your eyelids and all you did Will wait until the point when you let go De de De de De de de
3.
These Days 03:33
Well I've been out walking And I don't do that much talking these days These days These days I seem to think a lot About the things that I forgot to do And all the times I had the chance to Well I stop my rambling And I don’t do too much gambling these days These days These days I seem to think about How all the changes came about my way And I wonder if I’ll see another highway Well I had a lover And I don’t think I’ll risk another these days These days Well if I seem to be afraid To live the life that I have made in song Oh, it's just that I've been losing For so long La da da da da ohhh ooh But I'll keep on moving There’s thingsabout me improving These days These days These days I sit on cornerstones And count the time in quarter tones to ten Please don't confront me with my failures ‘Cause I had not forgotten them
4.
Well you play that tarantella all the hounds will start to roar The boys all go to hell and then the Cubans hit the floor They drive along the pipeline, they tango 'til they're sore They take apart their nightmares and they leave them by the door Let me fall out of the window with confetti in my hair Deal out Jacks or Better on a blanket by the stairs I'll tell you all my secrets, but I lie about my past So send me off to bed for evermore Make sure they play my theme song Guess daisies will have to do Just get me to New Orleans and paint shadows on the pews Turn the spit on that pig, kick the drum and let me down Put my clarinet beneath your bed 'til I get back in town Let me fall out of the window with confetti in my hair Deal out Jacks or Better on a blanket by the stairs I'll tell you all my secrets, but I lie about my past So send me off to bed for evermore Just make sure she's all in calico and the color of a doll Wave the flag on Cadillac day, and a skillet on the wall Cut me a switch hold your breath 'til the sun goes down Write my name on the hood, send me off to another town Let me fall out of the window with confetti in my hair Deal out Jacks or Better on a blanket by the stairs Tell you all my secrets, but I lie about my past So send me off to bed for evermore So send me off to bed for evermore So send me off to bed for evermore
5.
Well it ain't no use to sit and wonder why, babe Ifin' you don't know by now No there ain't no use to sit and wonder why, babe It'll never do somehow When your rooster crowin' at the break of dawn Look out your window and I'll be gone You're the reason that I'm trav'lin' on But don't think twice cause it's all right And it ain't no use in turnin' on your light, babe The light I never knowed No there ain't no use in turnin' on your light, babe Cause I'm on the dark side of the road I keep wishin' there was somethin' you might do or say To try and make me change my mind and stay But we never did too much talkin' anyway So don't think twice cause it's all right No it ain't no use in callin' out my name, gal Honey I can't hear you anymore I'm a-thinkin' and a-wond'rin' wallkin' way down the road I once loved a woman, a child I am told I give her my heart but she wanted my soul But don't think twice cause it's all right So long honey babe Where I'm bound, I can't tell Goodbye is too good a word, babe So I just say fare thee well I ain't sayin' you treated me unkind Or you could have done better, but I don't mind You just kinda wasted my precious time But don't think twice cause it's all right No honey don't think twice cause it's alright

credits

released December 13, 2019

Chelsea Williams - Vocals, Acoustic Guitars
Ross Garren - Harmonica (1,4), Keyboards (5)
John Schroeder - Electric Guitar (4)
Vikram Devasthali - Trombone (4)

Engineered by Paul Hird (1,5) at Golden Hill Studios, Ross Garren (2,3) and Sam Brawner (4) at Blue Dream Studios
Mixed by Ross Garren
Mastered by Dave McNair

Cover image by Matt Adrian

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Chelsea Williams Los Angeles, California

Performing 5 hours a day, 4 days a week, Chelsea Williams honed her skills busking at Santa Monica’s Third Street Promenade, capturing the attention of passersby including Ron Howard and Sheryl Crow. Williams garnered praise from critics including Rolling Stone Country, who described her sound as “K.T. Tunstall, Sheryl Crow and Little Big Town’s Karen Fairchild on a confessional girls’ night out.” ... more

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